This lengthy short film comes from writer-director Clay Moffatt, who has some solid ideas in here, and a crew around them that clearly are dedicated to the craft.

I am disappointed that The Clutterbucks wasn’t for me, the poster and political allegory storyline is one I would usually gravitate towards, but this one just didn’t click with me at all. I appreciate the sentiment of the story and the journey the crew went on to complete the film, saying that they were shooting this right as the Palisades fires were raging through California. A cinematic effort that I wish was extended through to the entirety of the film.

The latest outing from Tom Holland’s Spider-Man is more emotional than I was expecting, while not reaching the heights of No Way Home, it justifies its existence within the story, progressing Spider-Man as a hero and Peter Parker as a man. The side characters are all relatively well written, and very well acted, providing more of a journey for its characters. While not all elements seamlessly tie together, they work on their own enough to justify their inclusion.

A gloriously sun soaked rural Florida mixed with some of the most bizarre acting choices I have seen in a long time.

I saw the locator starting the film, “December 2020” and had immediate panic. What a time it has been since then. Covid was pretending to slow down, we’d rid ourselves of Trump in the oval office, and a new Matrix sequel was on the way to save the box office. Boy am I glad none of those backfired in any way.

It feels redundant to say that this film is a technical masterpiece, and just in case you have somehow dodged every film bro so far, I will retract into one to snobbishly tell you that “did you know that this is the first full feature film shot entirely on IMAX cameras. Did you know that? IMAX is basically a format developed in order to have a big screen. Yeah it's pretty technical so I don’t think you’d really get it. I do though. Also are you seeing it in 70mm IMAX?..."